What happens when a Pre-Raphaelite mind meets feminist courage and a spiritual imagination? The answer is the visionary Evelyn De Morgan. Forget what you think you know of Victorian women. De Morgan was so ahead of her time that her work remains equally potent today.

A brief exploration of intermedial translation in the ‘reverse’ direction to my usual research: this time, it is from art into music.

How Paul Klee built upon ancient theories of harmony to musicalise painting. 

Did synaesthesia and Kandinsky’s claim to the condition transform the creative methods of Orphic painters? 

Can the traditional art institution be decolonised through scent?